&%#$@!

In 1884, seven-year-old German-born Rudolph Dirks immigrated to the United States with his family and settled in Chicago. A gifted artist, Dirks began doodling comics at an early age and as a young man he moved to New York to seek out employment as an illustrator. Before long, he was hired onto the staff the New York Journal.

At the time, the New York Journal was in a heated circulation war with the rival New York World, which contained one of journalism’s first featured Sunday comic strips, The Yellow Kid. Dirks’s editor asked him to create a comic strip that would compete.

Wilhelm Busch’s Max & Moritz. Public Domain, via Wikimedia Commons

Reaching back to the tales of his childhood, Dirks created Katzenjammer Kids, based on an 1860 illustrated children’s story Max & Moritz by Wilhelm Busch, which tells of a pair of truly naughty boys who engaged in a series of brutal pranks and, in the grand tradition of German stories for children, wound up dying gruesome deaths.

The Katzenjammer Kids, whose names were Hans and Fritz, didn’t share the same terrible fate, but they were naughty. The comic strip consisted of their many shenanigans as they made life terribly difficult for a cast of adult characters that included, among others, their mother, a shipwrecked sailor, and a school official. These adults were sometimes, understandably, frustrated enough to say words that weren’t suitable for Sunday comics.

Hans & Fritz, the &#%’n #^%#s. Public Domain, via Wikimedia Commons

Dirks came up with a pretty clever solution for that. When his characters were wound up and so frustrated they couldn’t think straight enough to reach for better words, they said things like “%&$#!” instead.

The term for this handy little tool in the comic artist’s kit became official in 1964, when Beetle Bailey creator Mort Walker coined the term “grawlix” in an article he wrote for National Cartoonist Society. By then the cartoonist’s version of audio media’s bleep had been in common use since its initial appearance in Katzenjammer Kids in the early 1900s. And I for one, am grateful for that.

I’m not a big fan of profanity in general. I don’t use it much either as a writer or in my personal life. It’s not that I’m particularly shocked or offended by it and I don’t step too far out of the way to avoid it in the writing of others. I’m just aware that profanity seems to be the thing I reach for when it’s probably not the best time for me to speak.

It pops into my head, and if I’m not careful out of my mouth, when I’m angry, frustrated, exhausted, and irrational. When I write fiction, I do occasionally bring a character to that point and in those moments, a well-timed, and rare, use of profanity may be the best way to express his or her emotional state.

But for me, I find I’m usually best served by taking a deep breath and a step back to think about whether or not I need to communicate my feelings at all and if so, how best to do it. After all, according to some estimates, there are nearly a million words in the English language. Even if 800,000 or so of those are essentially obsolete, that still gives me a lot to work with.

Even with all of that at my disposal, I have found it difficult to put together the right words during these past few weeks of unrest in the United States. I’m angry of course; also worried about the future of the nation if we can’t redirect righteous anger into rational conversation and actionable solutions. Oh, and there’s still a pandemic, I think? I kind of just want to say, “&@#%$!”

But then sometimes . . . Public Domain, via Wikimedia Commons

I chose not to post to my blog last week because I realized that probably wouldn’t be that helpful for anyone. I didn’t know what words to send into the blogosphere. I had no comfort to offer readers who are likely feeling some of the same things I am and who maybe aren’t even ready to find comfort. I have prayed a lot and have found a great deal of personal peace in that, but I’m aware not everyone who stumbles across this blog views prayer in the same way I do.

So, a week later I still don’t have the right words. Because even with a million to choose from, sometimes the right one just can’t be found.  Maybe we need some creative person to invent a new term for us. Or maybe we all really do just need to say a collective, “&%#$@!”

And then take a deep breath and a step back.

Anything You Can Do, Has Probably Already Been Done by a Fictional Character

On November 14, 1889, journalist Elizabeth Bisland began an epic journey. Departing from New York with little luggage and only six hours notice from the owner of the monthly family magazine Cosmopolitan (yes, the same one that now embarrasses you in front of your family at the checkout), Bismuth headed west across the US. Her goal was to race around the world in less than eighty days, faster than the fictional Phileas Fogg.

bisland
Elizabeth Bisland, wearing her game face.  (New York Public Library Archive) [Public domain], via Wikimedia Commons
But beating the eccentric Jules Verne character wasn’t all she had in mind, because the real purpose of Bisland’s trip was to outstrip fellow journalist Nellie Bly, dispatched by New York World the same day, heading east on a steamer across the Atlantic on her own Fogg-esque  journey.

The difference between the two was that Bly had no idea she was competing against anyone. She didn’t learn of Bisland’s trip until December 24 when someone in Hong Kong told her they thought she’d likely lose.

A few weeks ago, I set out on an epic journey of my own. A friend proposed starting a group on Facebook to motivate people who wanted to resolve to be better versions of themselves in the coming year. She suggested we all attempt to walk 2,017 miles in 2017.

That breaks down to about 5 ½ miles per day, which is doable for a fairly active person who puts forth some effort to get there. This is just the kind of challenge I love. I told her to count me in. Soon, because my friend is married to the kind of handy guy you’d like to have around to fix your computer, we had an app in which to log our daily miles, complete with a leaderboard so we could cheer each other on.

There are twenty-three of us in total. Some I know. Some I don’t. And we are, so far, a friendly, encouraging collection of people just trying to inspire each other and reach our individual goals, which for some, is not actually 2,017 miles this year. And that’s perfectly okay.

bly
Nellie Bly, ready to win, even when she doesn’t know she’s playing. By Library of Congress (umsystem.edu) [Public domain], via Wikimedia Commons
I love that we can encourage one another on our journeys. But if I’m being perfectly honest, I want to be on top of that leader board. Today, I am. Tomorrow is less certain, because there are two other participants jostling for that top position, and at least one other person has mentioned being a runner, which means that if we get a couple of nice days, that person could easily record a huge spike in mileage.

So every day I read all the motivational comments from my fellow travelers and I feel a little like Elizabeth Bisland, racing against someone who is (or was until they read this post) totally unaware of the competition. After Bly discovered Bisland, the tide shifted in the race. On her way to England, Bisland was informed that her fast steamship to New York had already left without her. This turned out to be false, but unaware of that, Bisland boarded a slower moving vessel.

In the meantime, Bly faced massive snows in the Western US, eventually overcoming them only at the tremendous expense of a chartered train on a southern route with purchased right of way across the country. Bly did manage to pull out the win, arriving in New York on January 25, 1890, 72 days, 6 hours, and 11 minutes after her departure. Bisland completed the trip on January 30, defeated, but still ahead of Phileas Fogg.

There are, I think, a few of takeaways from this story. First, writers make stuff up*. All the time. Sometimes it’s plausible. Sometimes it’s really not, but often the writer has convinced readers to trust him so they feel like it probably could be sort of plausible in the right circumstances. And then readers go out and try it.

This is how we ended up with submarines (inspired by a journey 20,000 Leagues Under the Sea, made up by Jules Verne), rockets (inspired by War of the Worlds, famously made up by H.G. Wells), and those headphones you use with your iPod (predicted in Ray Bradbury’s made-up Fahrenheit451).

This leads us to the next lesson we should learn from the story. Writers need to stop writing dystopian novels about a terrifying zombie apocalypse or the inevitable rise of sentient, power-hungry robots. Right now. Seriously, just stop. We’re begging you.

terminator
The world does not need this. photo credit: dalecruse Seattle via photopin (license)

And the third thing we need to learn is that no matter how friendly, encouraging, or supportive the motivational group, if there’s a leaderboard involved, at least one person (and I’m guessing at least three or four in the case of my Facebook walkers), is gunning for that top spot. It isn’t that we don’t want you to meet your goal. We just want to do it better.

 

 

 

*There is an outside chance that Verne’s Phileas Fogg was loosely based on eccentric shipping magnate and one-time presidential candidate George Francis Train, who circumnavigated the globe in 80 days in 1870. But, really, by “eccentric,” I mean that his life reads much like a fictional story anyway. I suppose writers do sometimes borrow from life as well.