A Somewhat Subdued Book Launch

This has been a difficult week in the household of practical history. My sweet mother-in-law passed away after a long health struggle. It’s been an emotional time of grieving and planning and hosting, and it has not been a week for posting or commenting. I am sorry about that, and I am working to catch up.

In general, I would suggest that one might wish to avoid big, emotionally difficult life events when launching a book.  Of course, since big, emotionally difficult life events are rarely planned, here we are. Because the other thing that happened this week is that my third historical novel launched into the world.

I had originally planned to post that announcement accompanied by some interesting history, a little whimsy, and much fanfare. Instead, I’m just going to post the prologue of the book. If you get to the end of the prologue and you would like to keep reading, you can get the book here: mybook.to/PurchaseOnAmazon or here: https://books2read.com/u/31KjGw I would also really appreciate that if you are on Goodreads and feel so compelled, you go ahead and mark it as “Want to Read”: https://bit.ly/3osuNGV. And, of course, reviews are an author’s best friend. Thanks!

Prologue

August 13, 1837

Even the buzz of the insects hushed as the final preacher of the Sabbath day stepped onto the stage to claim the pulpit. It was this man they’d come to see—the farmers and the merchants, the ladies in their finest silks, the young lawyer who, at the request of his friends, had left piles of work in his office six miles away in Springfield only to hear the renowned speaker.

Peter Akers didn’t disappoint. He was a giant of a man. More than six feet tall and broad with long limbs and large hands that animated his speech, he loomed above the crowd. They leaned into his words in the slick heat of the Illinois summer.

He began his sermon with a text from Zechariah 9:9: Rejoice greatly, O daughter of Zion; shout, O daughter of Jerusalem; behold thy King cometh unto thee. Akers favored the Old Testament prophets, often preaching from these strange and ancient texts sometimes for hours, diving without hesitation into high-minded allegory and apocalyptic language, inviting his congregation to ascend with him to new intellectual heights.

Also, this happened.
#1 New Release in one fairly obscure category on Amazon. But that’s something. I think.

His were not the emotionally exhilarating sermons of his col­leagues. He neither condemned nor flattered. His words did not in­spire the quaking and contorting otherwise common at camp meeting revivals, yet he held his audience rapt and eager.

Like Jacob of old, Akers wrestled with God, and all who listened came away changed. His sermon danced among the words of God’s prophets, from Zechariah to Isaiah, from Ezekiel’s proclamations of the unrighteous overturned, to the book of Revelation and Baby­lon’s inevitable fall.

And the merchants of the earth shall weep and mourn over her; for no man buyeth their merchandise anymore: the merchandise of silver and gold and precious stone, of wine and oil and fine flour, of sheep and horses and chariots and slaves and the souls of men.

Akers paused here, his eyes raised to heaven and at the same time locked into the hearts of each silent person awaiting the forth­coming conclusion, breaths held in anticipation.

“If we interpret the prophecies of this Book correctly. . .” Though the preacher’s commanding voice lowered to nearly a whisper, not a word could be missed. “There will soon come a time when the head and front of this offending shall be broken; a time when slave-ships, like beasts of prey, will no longer steal along the coast of de­fenseless Africa. When we shall cease to trade in the flesh and souls of men but will instead expel forever from this land the manacle and the whip.

“I am not a prophet,” Akers explained to a congregation that did not believe him. “But a student of the Prophets. American slavery will come to an end in some near decade.”

At these words, shifting and murmuring rose in the crowd, some perhaps angry but most filled with hope and awe at the sheer audacity of the assertion. Undaunted by the excitement, Akers car­ried on, saying, “Who can tell but that the man who shall lead us through this strife might be standing in this presence.”

This was a pronouncement rather than a question. The preacher paused, giving space for the seed of prophetic vision to find fertile soil.

At the edge of the crowd, the young lawyer drew a long breath, rubbed his weary eyes, and reflected on the preacher’s powerful words.

One of his friends clapped him on the back. “What do you think, Mr. Lincoln? Are you glad you came with us?”

“As odd as it seems,” he answered with only slight hesitation, “When the preacher described those changes and revolutions, I was deeply impressed that I should somehow strangely mix up with them.”

He did not wait for a response from his dumbfounded friend, but stood tall and stretched the stiffness from his shoulders and limbs as he thought of the many tasks awaiting him on his desk, and of the much greater work he’d yet to begin.

The Great American Book Cover

In 1925, the world was introduced to a young graphic artist who, up until that time, had remained somewhat obscure. Initially primarily a portrait painter, Francis Cugat was discovered in Chicago by conductor Cleofonte Camanini who connected the artist to numerous opera stars for whom he designed personalized posters.

From there, exactly how he came to the attention of publisher Maxwell Perkins isn’t really known, but in Cugat’s long career which eventually gravitated to film work, he designed only one book cover, and it is among the most recognizable in history.

In all its original glory.

Perkins asked him to sketch some ideas for a forthcoming novel by F. Scott Fitzgerald, tentatively titled Among Ash Heaps and Millionaires. Taking what little bit of information Perkins could give him about the incomplete book, Cugat came back with sketches that included bleak landscapes and various iterations of eyes in a wide expanse of sky.

The publisher then shared the sketches with Fitzgerald who apparently liked them a lot. In fact, after missing a deadline, the writer sent a letter to his publisher in which he wrote, “For Christ’s sake don’t give anyone that jacket you’re saving for me, I’ve written it into the book.”

The 1925 book, which ended up with the title The Great Gatsby, though not initially very commercially successful, has become one of the most critically acclaimed works of the twentieth century and, some would say, is in the running for the label of the Great American Novel. You probably read it in high school. I did. And my son who is a junior just did.

I can honestly say I don’t remember the book particularly well, but I do recall the voice of my junior year English teacher, Mr. K., as he discussed the imagery of the enormous eyes peering, bespectacled, from a faded billboard advertising the practice of T. J. Eckleburg, keeping God-like watch over the unfolding tragedy of Jay Gatsby and Daisy Buchanan, and mimicking the way Daisy’s disembodied face haunted the men who loved her.

I also remember that Mr. K.’s voice was particularly deep and soothing and that even though I adored his class, it was sometimes difficult to stay awake in that period, which immediately followed lunch. So, I have to assume that one of the reasons the imagery stuck with me as the rest of the novel and almost everything else I read that year faded in my memory like a long neglected and weathered billboard, is because of the eyes on the front cover. Not to judge the book by them or anything, but it turns out covers really do matter.

A future classic? Or at least a pretty book.

That’s why I am so excited to introduce to you the cover art for my newest book, coming out in just a couple of weeks. It wasn’t designed before the book was finished, but I think it does capture it really well and I couldn’t be happier with how it turned out.

Fitzgerald must have felt much the same way. The final cover didn’t have universal appeal. Ernest Hemingway, for one, thought it was garish. The Great Gatsby has been published with a few different covers over the years, including one featuring Leonardo Dicaprio, but the original always seems to make a comeback, and it is certainly the most recognized.

Whether the cover of my newest novel will ever become an iconic image remains to be seen. It probably depends on whether the book, in years to come, will be studied in English classes and will be in contention for becoming the Great American Novel. I don’t know that my aspirations are quite that high. But it does, I think, have a pretty nice cover.

Celebrating Family History Month Under a False Bottom Drawer

On June 11, 1837, the ship Charlotte Harper set sail from the United States for the West Coast of Africa where a colony had been established by the American Colonization Society for the purpose of resettling former American slaves. The ship carried supplies for the settlements of Bassa Cove and Monrovia in the colony of Liberia, a handful of ACS agents, a couple of teachers, and one eager twenty-four-year-old Methodist Episcopal missionary physician named Sylvanus Goheen.

Unfortunately, I don’t have a picture of Sylvanus, but this is his good buddy John Seys, superintendent of the Methodist Episcopal mission in Liberia. Smith sc., Public domain, via Wikimedia Commons

Looking back on history, we might have some strong opinions about colonization, most of them probably negative. At that time, opinions were mixed. But this farm kid from Pennsylvania, youngest of a large brood, and fresh from medical school, such as it was in the 1830s, didn’t question the nobility of his intention to help carry the light of Christ to the new colony. He did, however, fear he might not make it there at all.

Watching the waving handkerchief of the one brother who, with tears in his eyes, had come to send him off, the image slowly fading from view along with the coastline of the United States, Sylvanus began to envision looming tragedy that would send him to the bottom of the Atlantic. The newspaper headlines his mother would read began to drift through his mind: Storm Sunk Vessel and All Aboard Lost or She Went Down in the Night, Cause Unknown or She Happened in with a Pirate who Murdered All Aboard. I think it’s safe to say he was freaking out a little.

And this is where, after hours and hours of puzzling my way through the handwriting of my ancestors, I lament the fact that a lot of school children are no longer learning cursive. PublicDomainPictures, via Pixabay

I don’t blame him. I’d have probably been freaking out, too. Sylvanus Goheen was imaginative, charming, and pretty funny. He was also sort of arrogant and sometimes kind of petulant, but we all have our faults and, if I’m being honest, he reminds me a little bit of myself.

That makes sense to me, because he was the younger brother of my grandfather’s great grandfather. I first encountered Sylvanus on the pages of a diary he presented to his sister Ann around the time of his departure for Liberia. This diary, though shorter on details than I’d have liked, turned up beneath the false bottom drawer of a lawyer cabinet among my grandmother’s possessions. That’s where my aunt found it shortly after my grandmother’s death.

Since I’m the writer in the family, she presented it to me and I placed it on the backburner where it simmered for quite a few years while, though I dabbled with it a little, I spent most of my time with mummies, lost manuscripts, and scoundrels. But now finally it’s quite a few years later. It’s also October, which means that if you are in the United States, this is officially Family History Month as declared by Congress in 2001 because, evidently, they had nothing better to do.

It’s the month for interviewing your oldest relatives, for checking out the genealogical tools available at your local library, for sending off for that kit that tells you how closely you’re related to Genghis Kahn, and for searching the false bottom drawers in your heirloom furniture. Because I bet you’ll find interesting people, who did interesting things, and if you can manage to learn about them, you might even discover hints of yourself.

Genghis Kahn, allegedly among the most genetically successful men of all time. Clara-Agathe NARGEOT (1829 – ?), Public domain, via Wikimedia Commons

And maybe, if you do a little more research, and a little more than that, and a little more than that until you’ve done quite a lot of research about them, you might someday take them off the backburner and write a book. That’s what I finally did.

My newest novel White Man’s Graveyard will be released in just a few weeks. In its pages, you’ll get to meet Sylvanus, his sister Annie, a dog named Hector, an orangutan named Jenny, and a whole lot of other characters, many of whom come from my own family’s past, and a few of whom come from my head. You’ll also get to explore a controversial piece of not always well remembered American and Liberian history.

And you’ll discover whether or not Sylvanus was murdered by a pirate.

Charles Dickens is in Good Company

On the last day of May in 1837, avid readers of The Posthumous Papers of the Pickwick Club were disappointed. The story had been published in installments by Chapman & Hall at the end of every month since March of 1836 and by this time was approaching a print run of 40,000 for each part. It was perhaps the first truly and widely popular piece of literature to hit the London scene, spawning bootlegged copies, theatrical renditions, circulating jokes, and a wide range of merchandise.

Charles Dickens was living the dream. He’d hit the publishing market just right and given the reading public exactly what it wanted at exactly the moment it wanted it. Then in May of 1837, as it so often does, life happened and Dickens missed a deadline when his sister-in-law Mary, to whom he was close, died suddenly. He also missed a deadline for a new serial novel called Oliver Twist.

A story written by a some guy named Charles Dickens, who, much like author Sarah Angleton, was known to serialize his novels. Public domain, via Wikimedia Commons

Dickens did manage to publish a section of his Pickwick Papers the following month and an anxious readership was happy to get it. The work, which was later published as a single novel, originally reached its readers as a series of nineteen issues published over twenty months.

The idea of the serial novel wasn’t entirely new, but it hit its stride with Dickens who had begun his career publishing his Sketches by Boz in various newspapers before they were later bundled into a single work.

Readers liked the format because it was cheaper to buy a short piece than a full novel. Publishers liked it because it was cheaper and less risky to produce short pieces, which allowed them to respond to market demand rather than try to predict it. And lots of authors throughout the nineteenth century and into the early twentieth century did it, including Harriet Beecher Stowe, Fyodor Dostoevsky, Henry James, Upton Sinclair, Ernest Hemingway, and many, many others. All the cool kids were doing it.

Some guy named Charles Dickens who published serialized novels, similarly to author Sarah Angleton. National Library of Wales, Public domain, via Wikimedia Commons

Then serial fiction kind of fell out of fashion, with only the occasional experimental foray by a well-known author here or there. But now it’s making a comeback. It’s happening on blogs, of course, and podcasts, and now on more and more online publishing platforms. Even Amazon decided to get a piece of the action.

Last week saw the launch of Amazon’s newest self-publishing platform Kindle Vella. For now, it’s only available in the US and I don’t entirely understand how it works just yet, but basically, it’s an app to which authors publish their stories an “episode” at a time, and readers cash in-app coins they’ve purchased in order to continue with the next episode. I think it’s supposed to be interactive, too. That’s the part I don’t have quite figured out yet.

But I assume I will figure it out before too long, because I have begun publishing a story on Vella. This novel-in-pieces is a little different than my others that got published as plain ol’ books. Those are historical novels that most likely appeal to the kind of people who like to read historical novels, which I know because I’m so great at marketing.  Or at least they probably appeal to people who like history or novels or who have ever had a conversation with my mom or dad.

This story might not appeal to the same crowd. It’s a dystopian, sci fi story I started cooking up several years ago, in which, unsurprisingly, there is a teenage girl who is destined to become a hero and do heroic things, fall in love and possibly become embroiled in a love triangle, and learn something about herself on the way to saving the world.

A serialized novel by Sarah Angleton (aka S. M. Angleton)

Probably. But as I post episodes and get reader feedback, I suppose it could always change a little bit. What I can state with a fair amount of confidence is that I am on schedule to upload episodes far enough in advance that if life happens, as it did last week when I failed to post in this space, new episodes should still drop each Wednesday.

Here’s the description you will find on Vella:

Built on the ashes of St. Louis, Becca’s dystopian world centers on a dark faith dedicated to pushing the limits of the human lifespan. After an unnaturally prolonged childhood, she faces the ritual that will determine her vocation and launch her initiation into adulthood, a ritual that two years prior, her brother sacrificed his life to protest. When Becca’s own ceremony takes a wrong turn, she finds herself in a world preserved by lies and a tangled history that threatens everyone she loves.

If you’re into that kind of thing, please check it out at this link to read the first few episodes for free. It’s an experiment, but I’m kind of excited about it. Maybe by the time I get to the last episode, 40,000 people will be waiting anxiously for it. It might spawn jokes, theatrical renditions, bootlegged copies, and a wide range of merchandise. Someday, I might even publish it as a book. The only thing I know for certain is that I have now joined the ranks of Charles Dickens. And I think he’s in pretty good company.

What to Do in the Meantime

In 1912, rare books dealer Wilfrid Voynich added to his collection of his London shop the strangest book he never read. It’s not entirely clear how the manuscript came into Voynich’s possession, but it most likely came from the Jesuit Order, which around that time, sold some of its holdings from the library of the Roman College (by then Pontifical Gregorian University) to the Vatican and apparently to a few others as well.

Voynich2
Ohhhh… so that’s what it says. Excerpt from the Voynich Manuscript. Public Domain, Wikimedia Commons.

The Jesuits didn’t read it either, not even the scholar Athanasius Kircher, who was likely responsible for the inclusion of the manuscript in the collection.

Before him, the two hundred-plus-page manuscript probably belonged to a physician by the name of Johannes Marcus Marci, who likely received it from alchemist and antique collector George Baresch, who may have gotten it from Jacobus Horcicky de Tepenecz, who served as the personal physician to Emperor Rudolph II of Germany. Emperor Rudolf assumed the manuscript was the work of 13th century philosopher Roger Bacon and purchased it for a fairly large sum.

But none of these men ever read the book.

Because they couldn’t. What came to be known in the 20th century as the Voynich Manuscript is an enduring puzzle. Its vellum pages have been carbon-dated to the early fifteenth century, which means Bacon didn’t write it. They are filled with an unknown language or code, written by a single, careful hand, and accompanied by lots of strange pictures of unidentifiable plants, weird symbols, and plenty of naked ladies.

Voynich1
I chose not to highlight one of the pages with naked ladies, as this is a family-friendly blog. Illustration from the Voynich Manuscript. Public Domain, via Wikimedia Commons

Housed today in Yale’s Beinecke Library, and available to view online if you want to take a stab at it, the Voynich Manuscript has been defying translators for pretty much as long as it has existed. Recent attempts at translation by television writer Nicholas Gibbs and University of Bristol research assistant Gerard Cheshire have been pretty quickly shot down by Voynich scholars and enthusiasts. And in 2016, even AI failed to convince those in the know that it could crack the code.

It’s been suggested that the book is a medical guide of some sort, that it’s written in Hebrew anagrams, that it’s nothing more than an elaborate hoax, or that it’s of otherworldly origin. All we know for certain is that it’s weird, oddly fascinating, and unreadable. Perhaps it contains the answers to the greatest mysteries of the universe.

But as frustrating as it is that there’s this one book that has remained unread by everyone except, presumably, its author, I can’t help but think there are probably a lot of books no one has ever been able to read. Most languish on hard drives or exist only as scribbles in tattered notebooks. Others have been locked up in contracts with defunct presses, trapped away from the public by copyright law.

Hopefully that last possibility doesn’t apply to too many books. Very soon it will apply to one fewer, as the copyright of my first historical novel, Smoke Rose to Heaven, will be returning to me in the coming weeks. What this means is that very soon (February 4th to be exact), I will be releasing it finally into the world for anyone to read.

SmokeFrontCover
Coming soon!

I can’t promise that it contains the answers to the greatest mysteries of the universe, but it’ll be fairly easy to read because it’s written in English without anagrams, strange symbols, or unidentifiable plants. For better or worse, it doesn’t have any pictures of naked ladies, either.

I’ll have a lot more to share about this most elusive of my books in the coming weeks. You can’t read it just yet,* but maybe while you’re waiting, you can decipher the Voynich Manuscript.

 

 

*Okay, you can actually get a sneak peek if you would like to commit to giving Smoke Rose to Heaven an honest review. If that’s something that interests you, drop me a line at s_angleton@charter.net before the publication date and I’ll happily send you a complimentary e-book. You can check out the back cover blurb and read a sample here.

Because Reading is Good: Gentleman of Misfortune

February 19, 1843, Ms. Charlotte Haven visited the Nauvoo, Illinois home of Lucy Mack Smith, mother of Mormon prophet Joseph Smith. For a small fee, Mrs. Smith invited Charlotte to follow her up a staircase to a dark attic room where several Egyptian mummies waited to welcome them.

According to the accounts of many visitors, the mummies were somewhat unpleasant to look at, with little of their original wrappings remaining. They couldn’t have been in great shape, either because, according to Charlotte, Mrs. Smith held up a detached appendage of one of them and said, “This is the leg of Pharaoh’s daughter—the one who saved Moses.”

Britishmuseummummy
I’m not sure I would want to store this in my attic. By Ibex73 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=66245615

The back story Charlotte and other visitors received was that the four mummies in Mrs. Smith’s possession included “King Onitus,” two of his daughters, and one poor unknown Egyptian who was spending his afterlife a long way from home.

The four mummies, as well as can be traced, arrived in the US from somewhere near Thebes, in the spring of 1833 along with seven others and at least a couple of scrolls covered in hieroglyphs no one in the US could yet read.

A man named Michael Chandler, armed with an unsubstantiated story about being the nephew and heir of Egyptologist Antonio Lebolo, claimed the shipment and spent the next two years exhibiting what was the largest collection of mummies to have yet toured the United States. He lost a few here or there along the way and eventually sold the final four to the early Mormon church in Ohio.

But Chandler wasn’t the nephew of Antonio Lebolo, at least not as far as any scholar has been able to find, and if Pharaoh’s daughter—the one who saved Moses—lost her leg in the afterlife, it didn’t happen in Nauvoo, Illinois.

Mummies have a strange history in the US, where they’ve found themselves displayed in parlors, ground into medicine, and used by painters to get that just right shade of mummy brown. They were unrolled before curious audiences, occasionally stripped so their linen could be recycled into paper, and yes, sometimes they were the unwitting mouthpieces of showmen and religious leaders.

The “lives” of mummies in 19th century America, thousands of miles from where, in life, they had planned to rest for eternity, was strange indeed. Strange enough even, that when I first began to learn about the Lebolo mummies and Michael Chandler, I thought there’s a great book in that.

I often have that thought as I’m researching. And once in a while I act on it.

bookboxes
Books just waiting for some readers to come along.

My new novel Gentleman of Misfortune follows the story of the Lebolo mummies and the imposter who stole them. In my story, his real name is Lyman Moreau, a clever gentlemanly criminal, who hatches a plan, assumes an identity, and finds himself caught up in a dangerous journey that will bring him face to face with love and loss, and will force him to consider his own mortality. His adventure takes him through several states, along the Erie Canal, across the paths of several historical figures, and to the doorstep of a prophet. He doesn’t quite get all the way to Mrs. Smith’s attic. But there’s probably a great book in that, too.

You can check out a brief excerpt of Gentleman of Misfortune here. If it sounds like your kind of book, please consider one (or more) of the following:

1. Buy yourself the book. Reading is good for you, and you deserve it.

2. Buy a friend the book. Reading is good for your friend, and s/he deserves it.

3. Request that your library order the book. Reading is good for everyone, and libraries are wonderful places.

4. Help spread the word so others can discover the book. Because reading is good. For example, you could:

    • Share/re-blog this post. Less work for you.
    • Post about the book on Facebook. Watch the “likes” roll in.
    • Put a picture of yourself holding the book on Instagram. #GreatReads
    • Recommend the book on Bookbub. Be an influencer.
    • Snapchat yourself with the book. Give yourself some kitty ears. It’s fun!
    • Tell your neighbor about the book. You can borrow a cup of sugar while you’re at it.
    • Tweet about the book. You can even just click one (or more) of the ready-made tweets below.

tweet-graphic-3Gentleman of misfortune is a dark tale of mummies, mischief, and murder. Perfect for fall! #tbrlist #historicalfiction #newbook https://amzn.to/2Q47em1

19th century gentleman swindler Lyman Moreau finds his next big scheme and loses his heart among a collection of mummies bound for the most successful prophet in US history. #historicalfiction #tbrlist #newbook https://amzn.to/2Q47em1

From author Sarah Angleton comes a new historical novel—a dark tale of eleven mummies, a scoundrel, a seductress, and a prophet. #historicalfiction #tbrlist #fallreads https://amzn.to/

And if you do read and enjoy the book, please consider leaving a review. It helps a lot. Thank you!

 

One Brick at a Time: The Greatest Book on Earth

I don’t usually post on Tuesdays. But today is a special day, because five years ago, on May 9, 2012, I posted for the first time in this space as the Practical Historian. I didn’t really know what the blog would be about back then. I mean, I had a vague notion that since I write historical fiction, I should probably blog about history, but that was all I knew.

bloggiversary cupcake
Five years of blogging means I deserve a cupcake, right?

I was also a little scared, because I never liked history all that much. That is, until I started to research it as a storyteller. When I did that, I began to discover all of these weird and wonderful moments that make up the story of this world full of weird and wonderful people.

But right away I had a problem. You see, I’m not a historian. And I certainly never wanted to claim to be one, so I decided to take a very lighthearted approach to the subject, and to do my best along the way not to claim any authority I had no right to claim. I started to slowly build up the blog one brick at a time until it took on a distinctive, if somewhat unusual, shape.

What I ended up with was a blog that was a little bit history and a little bit me, one that was kind of funny, and sort of smart, and occasionally silly. And then all you readers started to show up, and you turned out to be funny and smart and occasionally silly, too.

Week after week, I found myself laying down bricks, and more and more of you followed along to see what I was up to, winding through history with me, with really no rhyme or reason at all to the path, and usually ending up somewhere surprising.

It’s like what the fine citizens of New York found themselves doing one sunny afternoon when a few of them noticed a poorly dressed gentleman laying bricks. When I say he was laying bricks, I don’t mean he was a mason busy with a construction project. Instead, this man was laying a brick here and then moving down the walkway to lay another one there, lined up just so. Whatever he was doing, he did it with precision, and in complete silence. The crowd that soon gathered found him fascinating, and as the man walked on, placing his bricks, they followed.

They followed him around the block and straight into Barnum’s American Museum where many of them purchased a ticket and continued their pursuit through the unusual displays they found there. As the crowd became distracted by the wonders and oddities in P.T. Barnum’s museum, the curious man and his bricks slipped out the back to continue on the path, where he picked up and replaced each precisely set brick as he came to it.

PT_Barnum_1851-crop
P. T. Barnum, the publicist I would hire, if only I could. By unattributed – Harvard Library, Public Domain, via Wikimedia Commons

Earlier in the day, the man had asked Barnum for a handout and what the great showman and even greater salesman offered instead was a job. Directed by Barnum, the man’s nonsensical bricklaying drew a crowd so large that after a few days, the police forced him to stop because traffic couldn’t get through. And many of the people who flocked to observe the brick man, paid to follow him into the museum. That’s some clever marketing by a man who called his own circus, “The Greatest Show on Earth,” and got us all to go along with it.

Now, if you’ve been reading this blog for the last month or so, you may have seen that as I approached this big blogiversary, the way I decided to celebrate was to publish a collection of some of my favorite posts from the past five years. If you’ve enjoyed the blog, I think you’ll enjoy the book (which features much better editing and a lovely cover). And if not, then maybe you know someone who would.

LaunchingSheep-CoverImage
Available today from Amazon and anyone else who sells books. I think there are still a few others.

So, I want to ask you for a favor. If you have appreciated the blog at any point over the last five years, would you be willing to share this post, or tell someone about the book, or mention it on Facebook, or give it a shout out on your blog, or send out a Tweet, or pin it, or Snapchat it to your grandma, or whatever the cool kids are doing these days?

Because as much as I love to write and as proud as I am of the blog and the book, I’m no P.T. Barnum and promotion scares me silly. I’ll do my best, but I’m pretty sure I will never be bold enough to call this the Greatest Book on Earth (if you feel so compelled, please feel free). And I sure would be grateful if you could lay down a few bricks along your path.

Thank you so much for five years. You are, without doubt, the Greatest Blog Readers on Earth.

 

If you’re into Twitter, here are a couple of ready-to-place bricks you can use:

Tweet: A quirky collection about history and family life and all the funny bits. #LaunchingSheep https://ctt.ec/7WXaq+A quirky collection about history and family life and all the funny bits. #LaunchingSheep https://ctt.ec/7WXaq+

Tweet: History meets modern day family life in this funny and heartwarming collection. #LaunchingSheep https://ctt.ec/UjzVD+History meets modern day family life in this funny and heartwarming collection. #LaunchingSheep https://ctt.ec/UjzVD+